Rethinking Wozzeck
Gavin Plumley reviews Carrie Cracknell’s (you can follow her on twitter) new production of Berg’s Wozzeck at the ENO on his wonderful blog. If you haven’t seen the piece yet – in this or any other interpretation – this hopefully will work as an incentive to do so.
Some extracts (and I’ve heard similar):
Wozzeck is a relentlessly chilling opera. But in English National Opera's incisive new production, the piece shocks afresh. […] At the heart of the tale is Leigh Melrose's superb performance in the title role. […]The rest of the cast is likewise wholly committed to Cracknell and Gardner's reading. […]
and finally:
This is, quite simply, one of the best things ENO has done for years, confirming that John Berry should back innovative theatrical and operatic talent, rather than flirting with cinema.
Alban Berg: Wozzeck
Opera in 3 acts | 105’
Further performances: 15, 18, 23 and 25 May, English National Opera, London
Leigh Melrose, Wozzeck; Sara Jakubiak,
Marie; Tom Randle, The Captain; James Morris, The Doctor; Bryan Register, The Drum-Major; ENO Orchestra, cond. Edward
Gardner
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