The torn echo of one of the most dramatic forms of Andalusian Flamenco Singing: the ‘Seguiriya’, revolves at the centre of gravity of our composition for orchestra. A centrifugal movement in the form of a spiral of the musical mass of the orchestra leads us slowly towards a kind of vibrant rhythmic texture in a ternary rhythm: Bulería de sombras. (Mauricio Sotelo on Muros de dolor... III)

Thomas Søndergård and the Royal Concertgebouw Orchestra present the Dutch première of Mauricio Sotelo’s Muros de dolor... III on 22 Septemberat HET Concertgebouw.

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