This Friday, David Fennessy presents what you could call a “staged concert” (to use Heiner Goebbels’s term) at the Schloss Solitude in Stuttgart. The concert starts at sunset, and the audience walks for about 10 minutes into the forest adjoining the Schloss, where in the little hut there Sabine Ahrendt will perform Little Bird Barking for violin (or as the composer writes “for violinist and forest sounds”).

“The violinist is not attempting to 'harmonise' with the forest sounds but rather seems like an alien creature transplanted from a different habitat who nevertheless attempts to add their voice to the chorus!”

The audience then returns towards the Schloss and arrives at the Scheune (barn), where Sonia Cromarty will perform The room is the resonator (for cello and electronics) followed by Rest (for violin, cello and electronics). The recorded part was created at the hut mentioned above during Fennessy’s residence at Schloss Solitude last year.

As Fennessy writes: “There is a kind of narrative running throughout the three pieces, including in a way, the walking between them. The resounding question is one of the performers’ ‘voice’, literally and metaphorically, and how it adapts to its surroundings. All three pieces contain extended vocalising from the performers which, I feel, helps to imprint their individual identity onto the performance. In all three cases, the fragile voice emerges from behind the instrumental shield.”

Click the image above for a PDF file of the brochure.