Haas uses light and darkness as instrumental tools, and this is very exciting when using projection as an extension of the listening experience. My presentation of the Second Quartet and ATTHIS is designed to be immersive: darkness and light are instruments; and poetry, visual imagery, movement and music come together inseparably to reflect Haas’s extraordinary musical world. (Netia Jones)

Find an interview with Netia Jones, director of the Royal Opera House’s current staging of ATTHIS, on the website of the ROH.

View the full study score