Victoria Borisova-Ollas awarded Sweden’s oldest music prize

Posted by Johannes Feigl on 14 February 2017

Victoria Borisova-Ollas (c) Expressen,  Ellinor Collin

Swedish tabloid Expressen gave out its annual Spelmannen culture award – Sweden’s oldest music prize – to Victoria Borisova-Ollas: congratulations!

The award ceremony took place at Nalen in Stockholm on 13 February.

Read a [Swedish] interview with the composer

Victoria Borisova-Ollas nominated for an MPA Award

Posted by Johannes Feigl on 28 September 2016

Musikförläggarnas Pris 2016

Victoria Borisova-Ollas (c) Universal EditionCongratulations to Victoria Borisova-Ollas, whose work Vinden som ingenting minns has been nominated for this year’s Swedish Music Publishers Association Prize in the category “Classical Music Award of the Year – orchestra/opera”.

Victoria Borisova-Ollas has previously received Swedish MPA Awards for The Ground Beneath Her Feet (2008) and Golden Dances of Pharaohs (2010), her work Open Ground was nominated in 2007.

The award ceremony will take place on 11 November in Stockholm.

View the full score of Vinden som ingenting minns 

World première of Borisova-Ollas’ ... and time is running past midnight ...

Posted by Johannes Feigl on 22 October 2015

Victoria Borisova-Ollas (c) Universal Edition

Victoria Borisova-Ollas’ latest orchestral work ... and time is running past midnight ...will be premièred tonight at the Berwaldhallen in Stockholm by the Swedish Radio Symphony Orchestra under Joana Carneiro.

Tickets are still available here.

Victoria Borisova-Ollas: ... and time is running past midnight ...
for orchestra | 9'
world prem. 22.10.2015, Berwaldhallen, Stockholm; Swedish Radio Symphony Orchestra, cond. Joana Carneiro

Victoria Borisova-Ollas: two Russian premières

Posted by Johannes Feigl on 31 March 2015 (comments: 1)

Victoria Borisova-Ollas (c) Universal Edition, Eric Marinitsch“With her expressive and methaphysical attitude, Victoria Borisova-Ollas is absolutely unique in Sweden. In her Symphony No. 1, there is the same nervous touch, the same high tension and hot-temperedness, the same passion for an almost erotic game, with colliding harmonies and extended climaxes, as in Skriabin`s Le divine poème. The excitement lasts through the whole piece. Borisova-Ollas is able to create a charged atmosphere and she knows perfectly well how to use her weapons.” (Thomas Anderberg, Dagens Nyheter)

Tonight pianists Ludmila Berlinskaya and Nikolai Mazhara, conductor Nikolai Alexeev and the Saint Petersburg Philharmonia present the Russian premières of Victoria Borisova-Ollas’ Symphony No. 1 and her fantasia on the themes by Robert and Clara Schumann titled Wunderbare Leiden at the Saint Petersburg Philharmonia.

 

Tonsättarweekend with Victoria Borisova-Ollas

Posted by Johannes Feigl on 24 April 2013

Victoria Borisova-Ollas (c) Universal Edition, Sarah Standke

Some visual impressions from the very successful “Tonsättarweekend” at the Konserthuset in Stockholm, where Victoria Borisova-Ollas was honoured with a composer portrait from 18 – 21 April.

Tonsättarweekend with Victoria Borisova-Ollas in Stockholm

Posted by Johannes Feigl on 19 April 2013

Victoria Borisova-Ollas, StockholmWe just caught sight of this poster in Stockholm. The first day of the Tonsättarweekend with Victoria Borisova-Ollas at the Konserthuset went well, tomorrow the composer portrait continues with performances of Angelus, Open Ground and Wunderbare Leiden. 

View the full programme of the portrait.